the flaming lips my cosmic autumn rebellion

At War With The Mystics is personal, political. Originally, this is the character who is considered as The Villain 'Shards' in CHAMPIONS.Įven though it comes in part of Crimson Wind, it CAN STILL be volunteerly be considered in another Part(Comment so). Cosmic, consciousness-expanding and mind-shattering, At War With The Mystics, the highly anticipated follow-up to The Flaming Lips Yoshimi Battles the Pink Robots brings together the expressiveness of recent albums with the heaviness, volume and intensity of the bands earlier work. Causing them to go through a shock to their minds if without a greater willpower. Originally this record may have had an official printed artwork sleeve, but this record does NOT have the original sleeve and has been replaced with a generic sleeve. Being advancing towards their souls, torturing their physical energy and both their spiritual energy. Both the enemy-stand, and the enemy-user will be inflicted with unbearable pain on themselves. Pain Inducing Eyes: Upon staring C.A.R's eyes. As well being capable of shooting the shards with enough thrust to pierce an enemy Stand with B Defense. Using them as attacks and weapons in order to cut a Stand with great ease. Shard Generation: It is able to use its Shards in various ways. It's Stand Cry is 'AKIAKIAKIAKIAKIAKI' - Which is translated as Fall, being said consistently and repeatedly upon any acting, as it charges with furious cutting motion in a wild tiger-like fashion.ĭamage Torture: Any physical attacks from an enemy Stand taking contact on C.A.R will be capable of only harming themselves, due to hitting the sharp-like glasses as it slashes them. Capable of automatically move around on its own accord.

Also seen to appear with moving sentient glass-like shards around its form. It is seen as to mostly be covered in some sort of purple mass around its body, yet unlogical. Ambulance Driver' and 'Goin' On' show, the band is still fighting the good fight and confronting the bad things in life with hope, optimism, and just the right amount of (magical) realism.Cosmic Autumn Rebellion appears to be quite humanoid and mostly oddly like a human body shape. These trippy moments make At War with the Mystics the most psychedelic and least immediate album the Flaming Lips have done in a long, long time, and the way that Mystics bounces back and forth between its ethereal and zany moments gives it a disjointed, uneven feel that makes the album a shade less satisfying than either Yoshimi or Soft Bulletin. Pink Floyd is a major influence on the entire album: 'The Wizard Turns On.' is a spacey, late-night instrumental that could easily be synched to The Wizard of Oz, while 'Pompeii Am Götterdämmerung' also taps into Floyd's elaborate, epic power. This stretch of songs plays almost like a suite, which ties right in with At War with the Mystics' prog rock leanings. 'My Cosmic Autumn Rebellion' and 'Vein of Stars' play like updates of The Soft Bulletin's effortless, weightless beauty, and 'The Sound of Failure' is a reminder that it's OK to be sad sometimes (while getting in digs at the teen pop platitudes of Britney Spears and Gwen Stefani) set to a gorgeous backdrop of soft rock flutes and guitars and twittering electronics. However, the middle section of At War with the Mystics is expansive and intimate at the same time, like many of the Flaming Lips' best moments have been. 'Free Radicals,' which sounds like Prince via Beck with a dash of Daft Punk, and 'Haven't Got a Clue,' which boasts the refrain 'Every time you state your case, the more I want to punch your face,' get their points across emphatically - almost too emphatically, actually, for as catchy as these songs are, they don't really expand on their thoughts or sounds much. With its robotic doo wop vocals and strummy acoustic guitars, 'Yeah Yeah Yeah Song' - which asks its listeners if they could do any better if they were handed all the power in the world - sounds oddly like a Paul Simon song updated for the 21st (or maybe even 22nd) century. As they did on Yoshimi's 'Fight Test,' the Lips couch their aggression in bouncy melodies and playful production tricks. In fact, the album's most pointed tracks are the most playful. By grappling with heavy subjects like these, it could seem like the Flaming Lips are taking their role as one of America's most prominent and beloved alternative rock bands too seriously, but Mystics' light touch shows that they can still be important without being self-important. While Yoshimi Battles the Pink Robots' themes of seizing the moment and accepting mortality could easily be read as a reaction to 9/11, At War with the Mystics is a more overtly timely album for the mid-to-late 2000s, dealing with the motivation behind the war in Iraq and Bush's presidency.

Since 1999's The Soft Bulletin, the Flaming Lips have issued an album once every three or four years - roughly once per presidential term, making At War with the Mystics the second album they've made during George W.

The flaming lips my cosmic autumn rebellion